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HEIDE FASNACHT
SOLO EXHIBITIONS
2009
- The ERR Project, Kent Gallery, NYC.
- Impermanent Collection, Qbox Gallery, Athens, Greece.
2007
-In Transit, Bernard Toale Gallery, Boston
-New City, Kent Gallery, New York
2006
-Wild Blue 2001-2004, Pan American Gallery, Dallas
2005
-Jump Zone, Bernard Toale Gallery, Boston
-Drawn to Sublime. Kent Gallery, New York
2004
-Strange Attractors. Anderson Galleries, Virginia Commonwealth University, Richmond. Curated by Ted Potter
2003
-Galeria Trama, Barcelona, SP
-Precipitation. Kent Gallery, New York
2000
-New Sculptures and Drawings. Bill Maynes Gallery, NY
-Bernard Toale Gallery, Boston
-Blowup: Recent Sculpture and Drawings by Heide Fasnacht. Worchester Art Museum, Worchester, Mass.
1999
-Drawings. Hiestand Gallery, Miami Univ, Oxford, Ohio
-These Things Happen. Bill Maynes Gallery, New York
-Involuntary Actions. Southeastern Center for Contemporary Art, Winston-Salem, N.C.
1997
-Fuzzy Logic. Bill Maynes Gallery, NY
1996
-Atlantic Center for the Arts, New Smyrna Beach, Fla.
-Bernard Toale Gallery, Boston
1994
-Ohio. Gallery 210, University of Missouri, St. Louis
1993
-Atelier Liechtenstein, Triesen
-RAM Galerie, Rotterdam
1992
-Cleveland Center for Contemporary Art, Cleveland, OH. Curated by David Rubin
1991
-Eugene Binder Gallery, Dallas
1990
-Germans van Eck Gallery, New York
-Dorothy Golden Gallery, Los Angeles
1989
-Germans van Eck Gallery, New York
-Hill Gallery, Birmingham, Mich.
1988 -Germans van Eck Gallery, New York
1987 -Saxon-Lee Gallery, Los Angeles
1986 -Hill Gallery, Birmingham, Mich.
1985 -Vanderwoude-Tananbaum Gallery, New York
1984 -Hill Gallery, Birmingham, Mich.
1983 -Vanderwoude-Tananbaum Gallery, New York
1982 -80 Washington Sq East Gallery, New York University
1981-Cleveland Center for Contemporary Art, Cleveland, OH
1979-Institute for Art and Urban Resources, P.S. 1, Long Island City, N.Y.
SELECTED GROUP EXHIBITIONS
2009
-Preview Berlin, Berlin Germany
2008
-Entre Le Chien Et Le Loup, Kent Gallery, New York City
-Styrofoam, The RISD Museum, RI
-American Academy of Arts and Letters Invitational, New York City
-Site 92, Smack Mellon, New York City
-Blown Away, Krannert Art Museum, Chicago, Il
-Drawing: A Broader Definition, Museum of Fine Arts, Boston
2007
-Close Looking, Kent Gallery, New York City
-ARCO, Madrid, Spain
2006
-Urban Cosmologies, Kent Gallery, New York City
-Invitational, National Academy of Design, New York City
-Recent Acquisitions: Prints and Drawings from Durer to Doig, Philadelphia Museum of Art, Philadelphia
2005
-Drawn to Cleveland. Museum of Contemporary Art Cleveland, Cleveland, OH
-Atomica: Making the Invisible Visible. Esso Gallery and Lombard-Freid Fine Arts, New York. Curated by Ombretta Agro Andruff
-Tableaux-écrans. Galerie les Filles du Calvaire, Paris & Brussels. Curated by Catherine Perret
2004
-Metamorphosis. John Michael Kohler Arts Center, Sheboygin, Wisc. Curated by Carmen Devine
-How Sculptors See. Worcester Art Museum, Worcester, Mass. Curated by Susan Stoops
2003
-Thinking in Line: A Survey of Contemporary Drawing, University Gallery, Gainesville. Fla. Curated by John Moore
-Perforations. McKenzie Fine Art, New York
-Sacred Waterways. Interfaith Center of New York. Curated by Tara Ruth
-Watermarks. Ethel H. Blum Gallery, College of the Atlantic, Bar Harbor, Maine
-Breaking Boundaries: Explorations and Collaborations at the Atlantic Center for the Arts. Ise Cultural Foundation, New York. Curated by Judith Paige
-Defying Gravity: Contemporary Art and Flight. North Carolina Museum of Art, Raleigh. Curated by Huston Paschel & Linda Johnson Dougherty
2002
-Drawing. New Jersey Center for the Arts, Summit
-Endless Summer. Kent Gallery, New York
-Looking at America. Yale Univ Art Gallery, New Haven, CT
-The Belles of Amherst. Mead Art Museum, Amherst College, Amherst, Mass.
-Assembly/Line: Works by Twentieth-Century Sculptors. Fairchild Gallery, Univ of Massachusetts, Amherst
2001
-Wet! Luise Ross Gallery, New York
-Energy Inside. Faulconer Gallery, Grinnell College, Iowa
-Kinds of Drawing. Herter Art Gallery, Amherst, Mass.
2000
-New Museum Benefit Auction, New York
-Photo & Video-Based Works. Galerie Brigitte Weiss, Zurich
-Rapture. Mass-Art, Bakalar & Huntington Galleries, Boston
-Drawings and Photographs. Benefit Exhibition, Matthew Marks Gallery, New York
1999
-Deliberate Velocity. Laura Mesaros Gallery, West Virginia University, Morgantown
-Fifteen. Lobby Gallery, Deutsche Bank, New York
-Lab Works. Islip Art Museum, East Islip, N.Y.
-Actual Size. Apex Art, New York
1998
-Seven-Year Itch. Ambrosino Gallery, Miami, Fla.
-Absolute Secret. David McKee Gallery, New York
-Sculpture and Sculptors’ Drawings. Rose Art Museum, Brandeis University, Waltham, MA
-Deep Thought Part Two. Basilico Fine Art, New York
-Hands and Minds: The Art and Writing of Young People in Twentieth-Century America. Corcoran Gallery of Art, Washington, D.C. Traveled to the Whitney Museum of American Art at the Equitable Center, NY
-Drawing the Conclusion. Dorsky Gallery, New York
Benefit Auction. Gay and Lesbian Alliance for Anti-Defamation, NY
1997
-Suspended Instants. Art in General and the Sculpture Center, New York
-Lancaster Festival Exhibition. Hammond Galleries, Lancaster, Ohio
-The Best of the Season. Aldrich Museum of Contemporary Art, Ridgefield, CT.
1996
-Art on Paper. Weatherspoon Art Gallery, University of North Carolina at Greensboro
1995
-Small and Wet. Bernard Toale Gallery, Boston
-Home is Where…, Weatherspoon Art Gallery, University of North Carolina at Greensboro
1994
-Mapping. Museum of Modern Art, New York. Curated by Robert Storr
-Fabricated Nature. Boise Art Museum, Boise, Idaho. Traveled to the Virginia Beach Center for the Arts, Virginia Beach, and the University of Wyoming, Laramie
-Picasso to Christo: The Evolution of a Collection. Santa Barbara Museum of Art, Santa Barbara, CA
-Low Tech: Cragg, Fasnacht, Lipski. Circa Gallery, University of Texas at Arlington
1993
-TZArt & Co., New York
-Fall/Winter. Johnson Atelier, Mercerville, N.J.
-Gallery Artists and Friends. Germans van Eck Gallery, NY
-25 Years. Cleveland Center for Contemporary Art, Cleveland, Ohio
-Material Identity – Sculpture Between Nature and Culture: Tony Cragg, Heide Fasnacht, Carol Hepper and Gene Highstein. Portland Art Museum, Portland, Ore.
-In Search of Form: Sculpture of John Duff, Heide Fasnacht, Anthony Gormley, Judith Shea and Mark Lere. Weatherspoon Art Gallery, University of North Carolina at Greensboro
-A Grand Tour. Swiss Institute, New York
1992
-Rubber Soul. LedisFlam Gallery, New York
-Summer Group Exhibition. Germans van Eck Gallery, NY
-Hill Gallery, Birmingham, Mich.
1991
-Benefit Exhibition. New Museum of Contemporary Art, NY
-Another Dimension: Drawings by Six Contemporary Sculptors. MetLife Gallery, New York
-Dorothy Goldeen Gallery, Santa Monica, Calif.
-Benefit Exhibition. Sculpture Center, New York
-Fabricators. Grace Borgenicht Gallery, New York
-Hill Gallery, Birmingham, Mich.
-Wilkey Gallery, Seattle, Wash.
1990
-Contemporary Collectors. La Jolla Museum of Contemporary Art, La Jolla, CA
-Working of Paper: Contemporary American Drawings. High Museum of Art, Atlanta, Ga. Traveled to Berman Museum of Art, Collegeville, PA
-Socrates Sculpture Park, Long Island City, N.Y.
-Changing Perceptions: The Evolution of Twentieth-Century American Art. Weatherspoon Art Gallery, University of North Carolina at Greensboro
-Hill Gallery, Birmingham, Mich.
1989
-Making Their Mark: Women Artists Move into the Mainstream, 1970-1985. Cincinnati Art Museum, Cincinnati, Ohio. Traveled to the New Orleans Museum of Art; Denver Art Museum; and Pennsylvania Academy of Fine Arts, Philadelphia
-Lines of Vision: Drawings by Contemporary Women. Hillwood Art Gallery, Long Island University, Brookville, N.Y. Traveled to BlumHelman Warehouse, New York
-A Case for Plywood. Louise Ross Gallery, New York
-Sculptors Drawings. David Beitzel Gallery, New York
-Climate 89. Germans van Eck Gallery, New York
-Scatter. Shea and Becker Gallery, New York
-Visualizations on Paper: Drawing as a Primary Medium. Germans van Eck Gallery, New York
-Art on Paper 1989. Weatherspoon Art Gallery, University of North Carolina at Greensboro
1988
-Lifeforms: Contemporary Organic Sculpture. Freedman Gallery, Albright College, Reading, PA
-Enclosing the Void: Seven Contemporary Sculptors. Whitney Museum of American Art at the Equitable Center, NY
-Figurative Impulses: Six Contemporary Sculptors. Santa Barbara Museum of Art, Santa Barbara, CA
-A Contemporary Drawing Celebration: Exploring the Foundation of Sculpture. Zolla Lieberman Gallery, Chicago
-Strike. East Campus Gallery, Valencia Community College, Orlando, Fla.
-New Artists/New Drawings. Lyman Allyn Museum, New London, CT
-National Drawing Invitational. Arkansas Arts Center, Little Rock
-Summer Group Exhibition. Germans van Eck Gallery, NY
-Scale (small). Rosa Esman Gallery, New York
1987
-Outside/In. Socrates Sculpture Park at Columbus Circle, NY
-Synthesis: An Aspect of Contemporary Thought. Fuller-Gross Gallery, San Francisco
-Black. Siegeltuch Gallery, New York
-Breaking Gound: Contemporary Women Sculptors. Contemporary Arts Center, Cincinnati, Ohio
-Sculpture: Material Transformation. Rosa Esman Gallery, NY
-New York, Chicago, LA. Marion Deson Gallery, Chicago
-Alternative Supports. Bell Art Gallery, Brown University, Providence, R.I.
-Works on Paper. Tomoko Ligouri Gallery, New York
1986
-Sculpture on the Wall. Aldrich Museum of Contemporary Art, Ridgefield, CT.
-Awards in the Visual Arts. 5. Southeastern Center for Contemporary Art, Winston-Salem, N.C. Traveled to the Neuberger Museum, Purchase, N.Y.; Columbus Museum of Art, Columbus, Ohio; and Norton Gallery of Art, West Palm Beach, Fla.
-Summer Invitational. Curt Marcus Gallery, New York
-Archaic Echoes. Muhlenberg College for the Arts, Allentown, PA.
-After Nature. Germans van Eck Gallery, New York
-Wall Form. Saxon-Lee Gallery, Los Angeles
-The Sohio Collection. Morris Museum, Morristown, N.J.
1985
-Notion of Contemporary Surrealism. Vanderwoude-Tananbaum Gallery, NY
-In Three Dimensions: Recent Sculpture by Women. Pratt Manhattan Center, New York
-Pastels. Nohra Haime Gallery, New York
1984
-Irregulars. Henry Street Settlement, New York
-Image and Mystery. Hill Gallery, Birmingham, Mich.
-New Spiritual Abstraction of the 80s. Nohra Haime Gallery,NY
-Review/Preview. Vanderwoude-Tananbaum Gallery, NY
1983-Varieties of Sculptural Ideas. Max Hutchinson Gallery,NY
1982-Sculptors’ Drawings. Max Hutchinson Gallery,NY
Pratt Gallery, Brooklyn
1980 Art on the Beach. Creative Time, New York
1978-Artists Books USA. Los Angeles Institute of Contemporary Art
1977-Documenta VI. Kassel
EDUCATION
B.F.A Rhode Island School of Design
M.A. New York University
HONORS & AWARDS
2010 -Pollock-Krasner Foundation Fellowship
2007 -NYFA Fellowship, SCULPTURE
2006 -Montalvo Arts Center Fellowship
2005 -MacDowell Colony Fellowship
2004 -Artist in Residence, Pilchuck Glass School
-Virginia Commonwealth University Artist in Residence
2003 -Rockefeller Fellowship, Bellagio Study Center
2001 -Adolph and Esther Gottlieb Foundation Grant
1999 -Pollock-Krasner Foundation Fellowship
1998 -Artist in Residence, Isabella Stewart Gardiner Museum
1994 -National Endowment for the Arts Sculpture Fellowship
1993 -Atelier Liechtenstein Foundation Grant
1990 -John Simon Guggenheim Fellowship
-National Endowment for the Arts Sculpture Fellowship
1989 -Yaddo Fellowship
1986 -MacDowell Colony Fellowship
-Award in the Visual Arts, Southeastern Center for Contemporary Art
-Louis Comfort Tiffany Foundation Grant
1985 -Yaddo Fellowship
1984 -Edward Albee Foundation Grant
1983 -Athena Foundation Grant
1981 -MacDowell Colony Fellowship
1980 -Yaddo Fellowship
1979 -National Endowment for the Arts Planning Grant
SELECTED BIBLIOGRAPHY
-Albee, Edward and Raphael Rubinstein. Heide Fasnacht: Strange Attractors. Exhibition catalogue. Richmond: Anderson Galleries, Virginia Commonwealth University, 2003.
-Alvis, Robert E. and Louise Myers Kawanda. Rapture. Ed. Lisa Tung. Exhibition catalogue. Boston: Massachusetts College of Art, Bakalar and Huntington Galleries, 2000.
-Bass, Ruth. “Heide Fasnacht at Germans van Eck.” ARTNews, February 1991.
-Bernstein, Judith H.“The Science of Terror and of Terra Firma.” Newsday, September1999.
-Block, Hollu and Claudia Calirman. Suspended Instants. Exhibition catalogue. New York: Art in General and the Sculpture Center, 1997.
-Bofill, Juan. “20 Anos de Estallidos o Explosiones.” La Vanguardia (Barcelona), 26 October 2003.
-Bomb Magazine, Summer 1989.
-Borum, Jennifer P. “Heide Fasnacht at Germans van Eck.” Artforum, March 1991.
-Brenson, Michael. “Heide Fasnacht at Germans van Eck.” New York Times, 6 May 1988.
________. “Private Images: Drawings by Sculptors.” New York Times, 2 November 1985.
________. “Sculptural Interiors.” New York Times, 18 November 1988.
-Bruno, Giuliana. Atlas of Emotion: Journeys in Art, Architecture, and Film. New York: Verso 2002. pg. 238, 405
-Bustard, Clarke. “Flash Point: Artist Captures Moments Full of Catastrophic Beauty.” Richmond Times-Dispatch, 3 October 2004.
-Cadena, Josep M. “Heide Fasnacht and the Fulfillment of the Instant.” El Periodico, 29 October 2003.
-Curtis, Cathy. “Shaping Up: Heide Fasnacht.” Los Angeles Times, 23 February 1990.
-Doll, Nancy. Figurative Impulses. Exhibition catalogue. Santa Barbara: Santa Barbara Museum of Art, 1988.
-Donohue, Marlena. Heide Fasnacht. Exhibition catalogue. New York: Germans van Eck Gallery, 1990.
-Ferguson, Robert . The Potent Image. Exhibition catalogue. Morristown, N.J.: Morris Museum, 1986.
-Frank, Peter. Los Angeles Weekly, 16 March 1990.
-Freedman, Matt. “Heide Fasnacht: Bill Maynes Gallery.” Review, 1 February 1997.
-Gambrell, Jamey. Awards in the Visual Arts 5. Exhibition catalogue. Winston-Salem, N.C.: Southeastern Center for Contemporary Art, 1986.
-Glueck, Grace. “Heide Fasnacht: These Things Happen.” New York Times, 6 November 1998.
________. “Notions of Contemporary Surrealism.” New York Times, 12 July 1985.
________. New York Times, 21 October 1983.
________. “Screens.” New York Times, 19 October 1982.
-Goodman, Jonathan. “Heide Fasnacht at Bill Maynes.” Art in America, October 1997.
________. “Actual Size, Apex Art, New York.” Art on Paper, July–August 1999.
-Gragg, Randy. “Between Mind and Body.” The Oregonian, 25 April 1993.
-Graze, Sue. Low Tech. Exhibition catalogue. Arlington: University of Texas, 1994.
-Gross, Jennifer and Susan Harris. Drawing the Question/Drawing a Conclusion. Exhibition catalogue. New York: Dorsky Gallery, 1998.
-Harper, Glenn and Twylene Moyed eds. A Sculpture Reader: Contemporary Sculpture Since 1980. Washington:University of Washington Press 2006.
-Halpern, Max. “The Air Up There: Celebrating 100 Years of Man-Made Wings.” The Independent, (Raleigh), 26 November 2003.
-Handy, Ellen. Arts Magazine, September 1989.
-Harrison, Helen A. “In Islip, Experimentation and Installation.” New York Times, 29 August 1999.
-Haus, Mary Ellen. “Heide Fasnacht and John Duff.” Interview, November 1988.
-Hayt-Atkins, Elizabeth. “The Anxiety of Influence.” Contemporanea, September 1990.
-Hebron, Patrick. “Both Sides Now: Bruce Conner’s Crossroads and Heide Fasnacht’s Explosion.” Bard College Journal of the Moving Image, no. 1, Spring 2005, pp. 45–49.
________. “Interview with Heide Fasnacht.” Bard College Journal of the Moving Image, no. 1, Spring 2005, pp. 50–54.
-Hirsch, Faye. "Heide Fasnacht at Kent." Art in America, October 2007.
-Hirsh, David. “Beyond Minimalism: Heide Fasnacht.” New York Native, 15 November 1994.
-Iverem, Esther. “A Blossoming of Sculpture” New York Newsday, 10 April 1990.
-Kachur, Lewis. “Sculptures Unbound Range.” Art International, Autumn 1989.
-Karlins, Dotty N.F. Artnet Magazine, 7 July 2003.
Kennedy, Louise. "The Artist's Response." Boston Globe, 8 September 2002.
-Kimmelman, Michael. “Critic’s Picks.” New York Times, 2 June 1989.
________. New York Times, 23 November 1990.
-Klein, Ellen Lee. Arts Magazine, December 1982.
-Kocheiser, Thomas. Heide Fasnacht: Ohio. Exhibition catalogue. St. Louis : Gallery 210, University of Missouri, 1994.
________. Home is Where. . . Exhibition catalogue. Greensboro, N.C.: Weatherspoon Art Gallery, 1995.
-Larson, Kay. “Border Lines.” New York Magazine, 25 May 1987.
-Litt, Steven. “Sculptor Soars Artistically.” Cleveland Plain Dealer, 18 June 1992.
-Lubowsky, Susan. Enclosing the Void. Exhibition catalogue. New York: Whitney Museum of American Art at the Equitable Center, 1988.
-Madoff, Steven Henry. “Sculpture Unbound.” Artnews, January 1984.
-Mahoney, Robert. “Heide Fasnacht at Germans Van Eck.” Arts Magazine, February 1991.
-Nadelman, Cynthia. “The New American Sculpture.” Artnews, January 1984.
________. Archaic Echoes. Exhibition catalogue. Allentown, Penn.: Muhlenberg College, 1986.
________. “Gabo’s Progeny.” Artnews, December 1987.
________. “Heide Fasnacht: Kent.” Artnews, Summer 2003, pp. 155–56.
-Nesbitt, Peter. “Seeing is Not Believing.” South End News, 16 March 2000.
-Newhall, Edith. “The New Fall Season.” New York Magazine, 9 September 1998.
________. “Holy Moly.” New York Magazine, 4 August, 2003.
-Omlin, Sibylle. “Nicht nach der Natur.” Neue Zuricher Zeitung, 12 January 2000.
-“Openings.” Art and Antiques, February 1989.
-Parr, Debra Riley. “Heide Fasnacht: Gallery 210.” New Art Examiner, February 1995.
-Paschal, Huston and Linda Johnson Dougherty. Defying Gravity: Contemporary Art and Flight. Exhibition catalogue. Raleigh: North Carolina Museum of Art, 2003.
-Princenthal, Nancy. Actual Size. Exhibition catalogue. New York: Apex Art, 1999.
________. Heide Fasnacht: Drawn to Sublime. New York: Kent Gallery, 2003.
________. “Heide Fasnacht at Germans Van Eck.” Art in America, April1993.
________. “Heide Fasnacht: Exploded View.” Art in America, February 2001.
________. Art in America, January 1986.
________. Art in America, November1988.
________. Artnews, January 1984.
________. “Blast Zones: Heide Fasnacht’s Recent Drawings.” Art on Paper, September–October 1999.
-Pepe, Sheila. “Eruptions Galore.” Gay City News, 26 May – 1 June 2005,
-“The Public and Private in Robust Dialogue.” New York Times (Westchester Edition), 28 October 1990.
-Raynor, Vivien. “After Nature.” New York Times, 21 February 1986.
-Richardson, Trevor. Changing Perceptions: The Evolution of Twentieth-Century American Art. Exhibition catalogue. Greensboro, N.C.: Weatherspoon Art Gallery, 1990.
-Rosen, Randy. Making Their Mark: Women Artists Today. Exhibition catalogue. Cincinnati, Ohio: Cincinnati Art Museum, 1989.
-Rubin, David S. Heide Fasnacht. Exhibition catalogue. Cleveland, Ohio: Cleveland Center for Contemporary Art, 1992.
-Russell, John. New York Times, 12 May 1989.
________. “A Case for Plywood.” New York Times, 28 April 1989.
________. “Sculpture on the Beach at the Battery.” New York Times, 4 July 1980.
-Schaffner. Ingrid. Heide Fasnacht: Fuzzy Logic. Exhibition catalogue. NewYork: Bill Maynes Gallery, 1995.
-Schwabsky, Barry. “Invitational at Curt Marcus.” Arts Magazine, January 1987.
-Silverman, Andrea. “Private Images.” Artnews, Summer 1987.
-Smith, Roberta. “Irregulars.” Village Voice, December 1984.
________. “Rewards in Galleries Uptown.” New York Times, 28 November 1997.
-Staniszweski, Mary Anne. Artnews.
-Stoops. Susan L. BLOWUP: Recent Sculpture and Drawings by Heide Fasnacht. Exhibition catalogue. Worcester, Mass.: Worcester Art Museum, 2000.
-Storr, Robert. Mapping. Exhibition catalogue. New York: Museum of Modern Art, 1994.
-Talbott, Susan Lubowsky. Heide Fasnacht: Involuntary Actions. Winston-Salem, N.C.: Southeastern Center for Contemporary Art, 1999.
-Thinking in Line: A Survey of Contemporary Drawing. Exhibition catalogue. Gainesville, Fla.: University Gallery, 2003.
-Tolnick, Judith. Alternative Supports. Exhibition catalogue. Providence, R.I.: Bell Art Gallery, Brown University, 1987.
-Waggoner, Martha. “Highs and Lows: Artists Depict Triumphs, Tragedies in NC's, Defying Gravity.” Charlston Post and Courier, 2003.
-Watson, Simon. “Best Bets.” Simon Says, 7 October 1998.
-Waxman, Lori. “Heide Fasnacht: Kent Gallery.” Artforum.com, 7 June 2005.
-Weber, John S. Material Identity: Sculpture between Nature and Culture. Exhibition catalogue. Portland, Ore.: Portland Art Museum, 1993.
-Wei, Lilly and Lesley Wright. Energy Inside. Exhibition catalogue. Grinnell, Iowa: Faulconer Gallery, Grinnell College, 2001.
-Westfall, Stephen. Arts Magazine, February 1986.
-Whitney, Kathleen. “Love Gas and Invisible Objects: Heide Fasnacht’s Recent Sculpture.” Sculpture, March 1999.
-Yablonsky, Linda. “Everything but the Kitchen Sink.” Artnews, May 2003, pp. 136–37.
-Zimmer, William. “Winners on Parade at the Neuberger.” New York Times, 11 May 1986, p. 22.
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